Just finished a great panel at the ASCAP NYC sessions. Was my first time moderating, but things went smoothly! Bandzoogle member Adam Taylor was on the panel with me, and shared his experience using the fan funding tool Kickstarter to support his new album, "No Poet". I shot a quick video backstage to summarize what and how he did it.
Also, if you're in the NYC area, make sure to check out Adam playing tonight at the Living Room at 7PM.
Posted by Chris on March 31, 2011 | No comments
If you're a songwriter, composer, or producer wanting to learn about the business side of being a music creator, the ASCAP events are a great resource. They bring together the world's top songwriters and producers who share behind the scenes details about their writing process, and how they got "discovered"
I'm excited to be moderating a panel called "Make the Internet Work For you" in NYC with some really smart folks; Jeff Price from Tunecore, musician PR expert Ariel Hyatt, and web-savvy Bandzoogle member Adam Taylor.
The goal of our panel is to help you make sense of all the online tools available for musicians, which you should focus on, and how to make the most of them to grow your fanbase.
I'll be giving away two tickets to the New York event on March 31st (worth $95 each!). To win yours, either:
Re-tweet or "like" our post about this on Twitter or Facebook (use the links at the top of this blog post)
Post a comment in the blog, on Twitter, or Facebook letting us know "What web services do you think are critical to your music career?"
Thanks in advance for everyone who participates. We'll notify winners on Monday the 28th, and post an update on Twitter and Facebook.
Posted by Chris on March 25, 2011 | 9 comments
I thought it might be fun to make some video blog posts over the next few weeks. In this one, I revamp the front page of an amazing singer/songwriter on Bandzoogle, SiConnelly. Let me know what you think!
Today, our friends at Topspin announced that their industrial-strength e-commerce platform is open for any artist to use. Topspin powers the stores for artists like Nine Inch Nails, Beastie Boys, and many more.
We're happy to announce that we've partnered with Topspin so that you can add their tools to your Bandzoogle website in a single click! You'll find the new Topspin feature in the "E-commerce" section of the "add feature" page. The best part: your Topspin store will automatically match your site's colors and fonts. No HTML coding needed! If you're a Topspin member, please check it out and let us know what you think.
Writing this from a nice house we rented for SXSW week in Austin (thank you Valerie), and that I’m sharing right now with some very fit mobster friends of mine (check out TrainingMobs). Oh, by the way, if you’re attending SXSW Music, make sure you check out the panel I’ve cooked up, on Thursday at 2PM.
Since I’m now a SXSW veteran, a few weeks ago I started working on a blog post giving tips and advice on how to make the most of that noisy, booze-fueled mayhem... until I realized that fellow Montrealer Dave Cool had just published an exhaustive and wonderful eBook on the topic of “Attending Music Conferences 101”. Dave and I met up for coffee and I asked him if we could borrow some his content for our Bandzooglers to enjoy. The eBook is free and it covers everything, from pre-conference planning, showcasing & networking, to the post-conference follow-up. It offers a step-by-step look at the music conference experience and how to maximize it from a musician’s point of view.
The eBook features interviews with several industry veterans including Panos Panay (Founder, Sonicbids) and Madalyn Sklar (Founder, GoGirlsMusic.com), as well as with several artists.
Also included are a sample music conference budget and a comprehensive music conference listing.
The 2 Most Important Things to Do When Attending a Music Conference
So you’re planning on attending a music conference? Awesome. They’re an amazing opportunity to meet new people and move your career forward. There are many things that youcan do to improve your overall experience at a music conference, but I want to focus on the 2 things that I feel are the most important and that will have the biggest impact on your career if done properly.
#1: Networking- It’s all about THEM
Arguably the most important activity at a music conference is networking. Most people naturally
use networking as an opportunity to talk about themselves and promote what they do. But the secret to good networking is to actually engage people in meaningful discussions; meaningful to
the other person.
Derek Sivers (formerly of CD Baby) calls it “The Tao of promotion”. Essentially, you’re going
to spend most of your time talking to people about what THEY do. The overwhelming majority of people (not just artists) don’t take a step back and genuinely try to get to know the person
they’re talking to. This will make you stand out in a BIG way.
Once you sincerely engage someone in a conversation about what they do, they are far more likely to be interested in what YOU do. But the key is to be sincere. Don't just let the person talk while the whole time you’re thinking about how exactly you’re going to promote yourself once they’re finished talking. Most people can see through this. Ask the person questions, dig deeper, think about how you can help that person in some way.
Here are some ideas for questions you can ask a total stranger at a music conference:
What’s their name? (And then remember it. To help you remember, use their name a few times during the conversation.)
Where are they from?
What do they do?
How did they start in that job?
How did they start out in the music business?
Why do they work in the music industry?
Who are their favourite artists? (Tip: if you sound anything at all like an artist they named, use it later when they ask about you)
What are they doing at the conference?
Have they seen any good showcases?
Have they been to any good workshops?
Is it their first time at this conference?
If they’ve been at the conference before, can they recommend any good restaurants in
the area or places that are a must-see in the city?
And so on. You get the idea. Ask about THEM and keep them talking about their experience, their opinions, and follow-up with questions that show you were paying attention.
And always be sure to have a pen and paper to take notes about your conversations, this will be very important later when you follow-up. Often times the conference tote bag will have at least 1 pen, but if not, and if you forgot to pack one, your hotel room probably has a few pens on the desk.
But what about me? Well, if you’ve spent a good amount of time talking about the other person, at a certain point they will almost always ask what you do. Now is your opportunity to make an impression. Say only a few sentences, and if you’re playing a showcase at the
conference, mention the time and place, but then as Derek Sivers recommends in his blog about conferences:
“SHUT UP after 3 sentences. Please. Stop there. Don't pull out your CD. Don't hand them a flyer. Wait for them to ask or change the subject back to them if they don't!”
I experienced this first hand at the OCFF conference in 2010. While at a networking cocktail with my good friend Carl Comeau of Hyperbole Music (Montreal Folk Festival, Dunham Wine and Folk Festival), we were approached by an artist named Jill Zmud. She just walked right up to us, told us her name and asked what we did. Of course, Carl and I were more than happy to talk about ourselves at length, especially after we had just had a few complimentary beers. But after about 5 minutes of blabbing on about ourselves, we realized that we knew nothing about the person we were talking to.
So we asked what Jill did. Turns out she was at the conference as an alternate showcase artist. Jill explained that it essentially meant if an official showcase artist got really sick or broke their leg while at the conference, Jill would get to showcase, but of course, chances were slim.
She made us laugh with how she described it, and we then asked if she had any unofficial showcases at the conference, and it turns out she did, and she told us when they were. But she didn’t shove a flyer in our face and only gave us one when we asked if we could please have one. Needless to say, Jill made an impression on me and I started following her on Twitter right away.
A few more things to keep in mind when networking at a conference:
It’s quality, not quantity
Focus on quality of interactions and not quantity. You are simply not going to have the time to meet everyone at the conference, and you’re better off having 5-10 quality conversations where you make a real connection with those people, rather than 100 quick “hellos” with no real connection.
I’m a big believer that relationships are solidified with face-to-face meetings, especially over
a few drinks or a meal. This is where you’ll create memories and develop strong bonds with people. Attending music conferences gives you this opportunity, so please don’t go around blindly handing out CDs and promo kits to everyone you see. It takes time to build relationships and for opportunities to present themselves. If you’re in this for the long-haul, take the time to
really get to know people, and soon enough you’ll have a large network of people who actually know you and like you, and who will want to help your career.
Break out of your comfort zone
And one last thing to keep in mind about networking: don’t just talk to people who you already know. Attending a music conference is expensive. Make the most of it by breaking out of your comfort zone and meet new people. If you don’t, chances are you’ll look back and regret it.
#2: It’s ALL About the Follow-up
The 2nd most important thing you can do to advance your career if you’re attending a music conference will actually be done once the conference is over: following up with the people you met.
Derek Sivers said it best on his blog post about conferences:
“After 15 years of 100-or-so conferences, I can tell you from experience that only about 1% of the people ever follow up. Therefore, 99% of them wasted their time. Please don't be in that 99%. It's ALL about the follow-up. It's ONLY about the follow-up. Remember this, and you'll do well.”
So once you’re back home, take a few minutes to do the following:
1. Organize & Sort
Clear some space on a table and start sorting out all of your business cards, notes, postcards, pieces of paper, etc.
2. Data Entry
Enter all of the information into some kind of database/spreadsheet/Google doc, etc. I use
Outlook for my contacts database, but it can be a simple Excel spreadsheet. For every new person I meet, I enter all the contact information I have for them. I then type some notes about
conversations I had with that person, interesting facts about them, their interests, etc.
3. Create Priority list
Once you’ve entered all of your new contacts into a place where you can reference them, create a priority list of who you’re going to contact. Write down some notes for each person so you know exactly why you’re contacting them, and what you’ll be referencing to remind them of your conversation at the conference.
Once you’ve created your list, it’s time to follow-up! A few considerations:
How long should you wait to follow-up?
In terms of how long to wait before following up, this can vary greatly depending on who you talk to. Some people follow-up while they’re still at the conference, others wait until 1-2 weeks after the conference when things have settled down. I don’t think there is a right or wrong answer, and it can really be a case-by-case basis.
For example, if you’ve made a really strong connection with someone, and you feel like you are
both excited to continue the dialogue, you can follow-up right away. If it’s not someone on your priority list and you didn’t have a strong connection, it can probably wait until a few weeks after
I know that I’m always impressed when an artist follows-up with me right away. First of all, it’s
rare to get a follow-up to begin with, but also, it just feels kind of good that the other person made it a priority to reach out to you right away.
So I will generally follow-up with people as soon as possible, especially while the conversations
from the conference are still fresh in my mind. It’s usually a short e-mail with 3 components:
a) Expressing that it was nice to meet them at the conference
b) A reference to something personal that we discussed to let them know that I was really paying attention (“I’ll definitely check out that wine that you recommended”, or “Good luck to your wife with getting her pilot’s license”, etc.)
c) And if there is a possibility of doing business, a request to have further discussion by phone in the near future.
How should you follow-up? Phone? E-mail? Social media?
Now as for whether to use phone, e-mail or social media to follow-up, that’s also a bit of a judgement call. The majority of the time I use e-mail. E-mail is a nice way to touch base and let the person respond when they have time, and you can catch them on the phone when an appointment has been set. With phone calls, unless it was agreed to before, I generally won’t call the person as the first follow-up. However, there are definitely people out there who are really good on the phone, so if you’re one of them, you can try to follow-up by phone as a first step.
Last, but certainly not least, is how and when to use social media when following up:
The nice thing about Twitter is that it’s limiting by design, and meant for short interactions. Twitter can be used during the conference, and I have on several occasions started to follow someone on Twitter while the conference is still going on. And since Twitter is still a bit of a mystery for some people, if you do connect with someone there, chances are you’ll impress them and have even more opportunities to interact with them by responding to their tweets.
Facebook is a bit trickier. Many people use Facebook only to connect with their close friends and family. I will rarely try to add a person as a friend on Facebook right away. Unless it is obvious that they use Facebook for networking purposes and seem to accept all friend requests,
I would avoid Facebook as an initial step in following up. But what you can do on Facebook is check if that person has a fan page for their company or festival and simply become a fan, a
gesture that they will no doubt appreciate.
Attending music conferences can be an amazing experience, so I hope you’ll take advantage
and choose to attend a few throughout your career. You might end up meeting people who not only help your career, but who become good friends for years to come.
To end off I’d just like to say that I was honoured to submit this post for the Bandzoogle Blog.
I’ve been a huge fan of Bandzoogle since it first started, and being a proud Montrealer, the fact
that Bandzoogle was founded here in Montreal is a great source of pride. I’m thrilled to see that the company continues to grow internationally, and I hope that this blog post and my eBook
will be helpful to Bandzoogle members attending SXSW or any other music conferences in the future.
Dave Cool (Yes, that’s my real name!)
Friend of the Indie Artist. Sometimes Documentary Filmmaker.
Hello Bandzooglers, and hello Sayvee-ians (...soon-to-be Bandzooglers, welcome to the family !). Today we are stoked to announce that we have acquired Sayvee, a young company that developed a website builder platform, based in beautiful British Columbia.
This is exciting news for everyone involved as it means we’ll have more musicians and artists getting their website powered by the BZ awesomesauce and playing with us in the community forums, but also because we’ll soon integrate some of Sayvee creative assets in to the new platform (think lots of fresh templates and other shiny goodies). Plus, Steve and Nico, the two main workaholic dudes behind Sayvee are the kind of gentlemen I would not hesitate to introduce to my sister (if I had one).
We did the boring corporate PR thing and wrote a press release announcing the deal. Since no one really ever reads press releases anymore, I’m forcing all of you to read it, below (please ?). Feel free to forward it to Chris’ mom. She will be proud:
Bandzoogle, the most powerful website platform for musicians, today announced that it has acquired Sayvee, a fledgling Canadian start-up that brands itself as “Web Fuel For Artists”. With this acquisition, Bandzoogle aims to consolidate its position as the leading site builder and hosting solution for independent bands and artists.
“We have been hard at work this year upgrading Bandzoogle’s core platform and features to make sure we meet our members’ expectations and help them navigate the heavily disrupted music landscape” said David Dufresne, Bandzoogle’s CEO. “We are excited about working with the Sayvee team because they created an intuitive way to design a beautiful and slick web presence, and because they have built a solid member base of serious and motivated artists that will fit in nicely with our member community”.
“We are very happy to merge Sayvee into Bandzoogle, a company we admire for their artist-friendliness and impressive list of features” said Steve Devries, Sayvee’s founder. Chris Vinson, Bandzoogle’s founder and CTO added: “Websites have become an incredibly important instrument in helping artists achieve their career goals and we take pride in making it possible for them to build a professional website easily, at a low cost. We know that the Sayvee team feels the same way about empowering artists, so we’re glad to join forces and gain the privilege to work with their members”.
Sayvee hosted websites will be moved over to Bandzoogle’s servers over the next few weeks and Sayvee members will enjoy a free trial before deciding on one of Bandzoogle’s subscription plans. An e-mail containing more details on the process has been sent to all members.
Hey Bandzooglers, I’ll keep this intro short so that you guys can spend more time watching Mike’s presentation (embedded below). It is a long one, but well worth the time. Mike does an amazing job at explaining what is "state of the Art" right now in terms of direct-to-fan marketing. Berklee, in general, is an amazing resource for musicians and we have pledged to collaborate with them as much as we can, so expect more great content coming from them (and us contributing there). Also the next term at Berklee starts April 4th so check out Berkleemusic.com asap ! Also, you Twitter users should follow Mike, a.k.a. @atomzooey.
This is Mike King from Berkleemusic.com, the online extension school of Berklee College of Music. I had the pleasure of meeting David Dufresne at the SF Music Tech Summit last year, and it was immediately clear to me that we share some fundamental ideas on best practices for online marketing; namely that musicians need a “home base” of sorts online, and that they should have complete control of this “home” online. I talk about the idea that social media and other third party sites should act as a funnel to a site where musicians can customize the landing experience in the best possible way for their targeted fans, and I think that Bandzoogle is providing a really easy and effective way for musicians to do this.
I think another really important attribute of a successful musician is to be as educated as possible. The technological developments that are happening in the music industry right now are non-stop, and it helps to have resources and people around that can help you identify not only what companies are truly adding value to the musical ecosystem, but the best practices in how to use these resources effectively. Berkleemusic.com provides over 100 online courses and multi-course certificate programs to help musicians in all areas of music, from production and recording, to mastering, marketing, sales and much more. I’ve been lucky enough to write and teach three music business courses for Berkleemusic, including "Online Music Marketing with Topspin", and it’s a complete thrill to turn students onto the newest developments in marketing. Very fulfilling to be sure.
Berkleemusic’s next term starts on April 4th. You can take a look at our complete course catalog here.
I also spoke at MIDEM a couple weeks back. My presentation was called “Direct to Fan Marketing: from Foundation to Execution.” You can watch the complete presentation below. A word of warning – it’s long! But I think there might be some useful pieces of information in here for folks that are interested in undertaking an online music marketing campaign.
All the best,
Posted by David on March 07, 2011 | 6 comments